Teaching guides

String Instruments

String Instrument Pedagogy

Double Bass Orchestra

Orchestral Repertoire – Strings

Piano, Accompanists, and Accordion

Vocal Accompaniment

Accordion Ensemble

Complementary Piano

Repertoire with Pianist

Orchestral Repertoire – Piano

Symphonic Ensembles and Conducting

Coaching and Concertation

Choir Conducting

Orchestra Conducting

Instrumental Conducting

Orchestral Artistic Experience

Conducting Practice

Chamber Music

Chamber Ensembles

General Subjects

Final Degree Project

Historical Instruments, Harp, Voice, and Plucked Strings

Tuning and Temperament

Anatomy and Function of the Respiratory Systems

Recorder Ensemble

Coaching and Concertation

Stagecraft and Performance

German Phonetics Applied to Singing I and II

German Phonetics Applied to Singing III and IV

French Phonetics Applied to Singing

English Phonetics Applied to Singing

Italian Phonetics Applied to Singing

Historical Sources of the Renaissance and Baroque

Fundamentals of Lutherie

Fundamentals of Organ Building

Plectrum Instruments

History of Literature and Vocal Technique

Movement and Dance

Repertoire with Harpsichord

Repertoire with Pianist – Voice

Vocal and Stylistic Repertoire

Percussion and Wind Instruments

Fundamentals of Mechanics and Maintenance

Brass Ensemble

Percussion Ensemble

Saxophone Ensemble

Percussion – Mallets

Percussion – Drumheads

Orchestral Repertoire – Percussion

Orchestral Repertoire – Winds

Instrumental Projects and Composition

Analysis of Contemporary Music

Analysis of 20th Century Music

Analysis and History of Symphonic Repertoire

Composition for Audiovisual Media

Coaching and Concertation

Fundamentals of Electroacoustics

Instrumentation and Orchestration

Harmonic-Contrapuntal Practice

Instrumental Projects

Composition Workshop

Vocal Technique

Composition Techniques

Music Technology

Thought, Culture, and Body Techniques

Historical Concept of Music

Contemporary History and Thought

History and Evolution of the Piano

Language and Techniques of Contemporary Music

Score Reduction

Relaxation Techniques and Alexander Technique

Elective Subjects

Technical and Practical Harmony for Instrumentalists

Psychological Strategies for the Prevention of Performance Anxiety

Cultural Management, Marketing, and Artistic Promotion

Introduction to Piano Pedagogy

Tango Orchestra

Modern Music and Jazz Workshop

Early Music Workshop

Alexander Technique and Musical Study

Recording Techniques

Theory and Practice of Gregorian Chant

Voice, Education, and Practice