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    • Managing Team
    • Administration
      • Contact
      • Registration
      • Forms
    • Agreements | Partnerships | Academic Agreements
    • Rental Of Facilities And Instruments
    • Accomodation
    • Library
  • Departments
    • Strings
    • Period Instruments And Plucked Strings
    • Piano, Accompanists and Accordion.
    • Woodwind And Percussion
    • Symphonic Ensembles and Conducting
    • Instrumental Projects and Composition.
    • Orchestral And Chamber Music Ensembles
    • Thought, Culture, and Body Techniques.
  • Admisión
    • Entrance exams
    • Record transfer
    • Entrance exam at another conservatory
    • Open Days
  • Academic info
    • Level Grade
      • Study Plan
      • Teaching guides
    • Erasmus+
    • International
      • International Relations
  • Events
    • CONCERTS SEASON
    • Master classes
    • Solidarity projects
    • Pedagogical projects
    • ON TOUR
    • Competitions
    • «Tazzet» Magazine
  • Español
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“Tazzet” Magazine

TAZZET

Journal of Music Research

 

Start: 2018

Frequency: Annual

Country: Spain

Language: Spanish

Editor: Higher Conservatory of Music of Aragon

Summary Year 2019, Number 1

(download cover)

 

Studies:

 

“Analysis of the journal «MUSICA: Quarterly Review of Spanish Conservatories»”. Carmen Esteban Vicente

“Spectral frequency decomposition”. Francisco Antonio García García

“The mesotonic accordion”. Ander Tellería Lázaro

“The Spanish ecclesiastical organist in the second half of the 20th century. A case study: Joaquín Broto Salamero. Towards a critical biography”. Juan San Martín Guerrero

“Study of the evolution of a hybrid genre: the keyboard concerto in the 18th century”. Ana María Antúnez Fernández

“The teaching of Basso Continuo in higher music studies in Spain”. Saskia Roures Navarro

“The scores of the Fantasía Bética”. Aniana Jaime Latre

“Instrumental pedagogy: Didactic aspects of the instrument class”. Carlos Javier Estopiñán Domínguez

“Proposal of a didactic model for teaching instrumental practice strategies: the Iceberg model”. Dr. Silvia Tripiana Muñoz

 

NOTE: THE CONTENT OF THE ARTICLES IS THE SOLE RESPONSIBILITY OF THE AUTHORS

Conservatory of Music of Aragon
Vía Hispanidad, 22
50009 Zaragoza
Tel. 976 71 69 80

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