{"id":32743,"date":"2026-01-20T23:38:59","date_gmt":"2026-01-20T22:38:59","guid":{"rendered":"https:\/\/csma.es\/?p=32743"},"modified":"2026-01-23T10:01:03","modified_gmt":"2026-01-23T09:01:03","slug":"doble-concierto-del-octeto-de-violonchelos-csma","status":"publish","type":"post","link":"https:\/\/csma.es\/en\/noticias\/doble-concierto-del-octeto-de-violonchelos-csma\/","title":{"rendered":"DOBLE CONCIERTO DEL OCTETO DE VIOLONCHELOS CSMA"},"content":{"rendered":"<p>CONCIERTO DEL OCTETO DE VIOLONCHELOS CSMA EN CICLO ATM\u00d3SFERAS CSMA Y EN CONSERVATORIO PROFESIONAL DE M\u00daSICA DE ALCA\u00d1IZ<\/p>\n<p><em>De Bach a Casals: un legado vivo<\/em><\/p>\n<p style=\"text-align: justify;\">Este concierto conmemora el 150 aniversario del nacimiento de Pau Casals (1876\u20131973), figura universal del violonchelo y s\u00edmbolo de compromiso art\u00edstico y humanista. El programa rinde homenaje a la profunda relaci\u00f3n que Casals mantuvo con la m\u00fasica de Johann Sebastian Bach.<\/p>\n<p style=\"text-align: justify;\">El recorrido parte de Bach y de arreglos que ponen en valor la sonoridad \u00fanica del conjunto de violonchelos, para enlazar con las <em>Bachiana<\/em>s de Heitor Villa-Lobos, en las que la tradici\u00f3n bachiana se funde con el lirismo brasile\u00f1o. El homenaje se completa con <em>Un cant a Pau Casals<\/em> de Jordi Cervell\u00f3, testimonio contempor\u00e1neo de admiraci\u00f3n hacia el maestro, y con la voz propia de Casals en su obra <em>El cant dels ocells<\/em>.<\/p>\n<p style=\"text-align: justify;\">Un viaje sonoro en el que ocho violonchelos celebran la vigencia de un legado universal, entrelazando pasado y presente.<\/p>\n<p style=\"text-align: justify;\">El proyecto cuenta con la colaboraci\u00f3n de los ganadores de la 2\u00aa edici\u00f3n del Concurso de Violonchelos del Octeto del CSMA, que permite la participaci\u00f3n de alumnos destacados aragoneses o de alg\u00fan conservatorio de grado profesional de Arag\u00f3n como miembro del Octeto de Violonchelos del CSMA. En esta ocasi\u00f3n han sido tres alumnas j\u00f3venes promesas aragonesas: Violeta Moles (Conservatorio Profesional de M\u00fasica Jos\u00e9 Peris Lacasa de Alca\u00f1iz), Claudia Moliner (Conservatorio Profesional de M\u00fasica de Calahorra) y Pilar Tur (Conservatorio Profesional de M\u00fasica Antonio Vi\u00f1uales de Huesca). Adem\u00e1s, intervendr\u00e1 la alumna de canto del CSMA\u00a0Berta Benedicto.<\/p>\n<p>MARTES 27.01.2026<br \/>\n19:30 h<br \/>\nAUDITORIO EDUARDO DEL PUEYO (V\u00eda Hispanidad, 22)<br \/>\nEntrada Libre<\/p>\n<p>&nbsp;<\/p>\n<p>MI\u00c9RCOLES 28.01.2026<br \/>\n19:30 h<br \/>\nAUDITORIO CONSERVATORIO PROFESIONAL DE M\u00daSICA JOS\u00c9 PERIS LACASA (Alca\u00f1iz)<br \/>\nEntrada Libre<\/p>\n<hr \/>\n<p><strong>Programa\u00a0<\/strong><\/p>\n<p><em>&#8220;De Bach a Casals: un legado vivo.&#8221;<\/em><\/p>\n<p>150 a\u00f1os del nacimiento de Pau Casals<\/p>\n<p>&nbsp;<\/p>\n<p>Johann Sebastian Bach (1687 &#8211; 1750)<\/p>\n<p>Jesu, Joy of Man\u2019s Desire (Arr. Richard E. Thurston)<\/p>\n<p>&nbsp;<\/p>\n<p>Jordi Cervell\u00f3 (1935 &#8211; 2022)<\/p>\n<p>Un cant a Pau Casals<\/p>\n<p>&nbsp;<\/p>\n<p>Heitor Villa-Lobos (1887 &#8211; 1959)<\/p>\n<p>Pr\u00e9ludes et Fugues d\u2019apr\u00e8s Jean-Sebastian Bach pour Orchestre de Violoncelles<\/p>\n<p>Preludio n\u00fam. 22<\/p>\n<p>Fuga n\u00fam. 1<\/p>\n<p>&nbsp;<\/p>\n<p>Heitor Villa-Lobos (1887 &#8211; 1959)<\/p>\n<p>Bachianas Brasileiras n\u00fam. 5 para soprano y octeto de violonchelos<\/p>\n<p>Aria Cantinela<\/p>\n<p>Danza Martelo<\/p>\n<p>Berta Benedicto, soprano<\/p>\n<p>&nbsp;<\/p>\n<p>Johann Sebastian Bach (Arr. Edwin London)<\/p>\n<p>Bach (Again). Come sweet death.<\/p>\n<p>&nbsp;<\/p>\n<p>Heitor Villa-Lobos (1887 &#8211; 1959)<\/p>\n<p>Bachianas Brasileiras n\u00fam. 1<\/p>\n<p>Introdu\u00e7ao (Embolada)<\/p>\n<p>Prel\u00fadio (Modinha)<\/p>\n<p>Fuga (Conversa)<\/p>\n<p>&nbsp;<\/p>\n<p>Pau Casals (1876 &#8211; 1973)<\/p>\n<p>El cant dels ocells<\/p>\n<p>&nbsp;<\/p>\n<hr \/>\n<p>Octeto de Violonchelos del CSMA<\/p>\n<p>Laia Puig, direcci\u00f3n musical y art\u00edstica<\/p>\n<p>Nunilo Escolano<\/p>\n<p>Xan Garc\u00eda<\/p>\n<p>Lara Gimeno<\/p>\n<p>Fabiola G\u00f3mez<\/p>\n<p>Javier Lira<\/p>\n<p>Violeta Moles<\/p>\n<p>Claudia Moliner<\/p>\n<p>Carmen Monta\u00f1\u00e9s<\/p>\n<p>Cayetana del Moral<\/p>\n<p>Adrian Moussa Hernand\u00e9z<\/p>\n<p>Laia Quinquill\u00e0<\/p>\n<p>Alexandra Sa\u00f1udo<\/p>\n<p>Pilar Tur<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>CONCIERTO DEL OCTETO DE VIOLONCHELOS CSMA EN CICLO ATM\u00d3SFERAS CSMA Y EN CONSERVATORIO PROFESIONAL DE M\u00daSICA DE ALCA\u00d1IZ De Bach a Casals: un legado vivo&#8230;<\/p>\n","protected":false},"author":3,"featured_media":32768,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[368],"tags":[],"class_list":["post-32743","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-noticias"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - 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