{"id":26192,"date":"2024-04-16T13:21:41","date_gmt":"2024-04-16T11:21:41","guid":{"rendered":"https:\/\/csma.es\/?page_id=26192"},"modified":"2024-06-11T09:41:38","modified_gmt":"2024-06-11T07:41:38","slug":"composition-and-conducting","status":"publish","type":"page","link":"https:\/\/csma.es\/en\/composition-and-conducting\/","title":{"rendered":"Composition And Conducting"},"content":{"rendered":"[vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern”][vc_column][vc_separator type=”transparent”][\/vc_column][\/vc_row][vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern”][vc_column width=”2\/3″][vc_column_text]\n

HEAD OF DEPARTMENT<\/h3>\n

 <\/p>\n\n\n\n
DE PAZ S\u00c1NCHEZ, NACHO<\/td>\nContact: dpto.composicionydireccion@csmaragon.es<\/a><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n

 <\/p>\n

STAFF<\/h3>\n

 <\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
CARAM\u00c9S BOHIGAS, IV\u00c1N<\/a><\/td>\nComposition for audiovisual media<\/td>\n<\/tr>\n
COBO GARC\u00cdA, GUILLERMO<\/a><\/td>\nComposition, Music Technology, Music Analysis, Music s. XX<\/td>\n<\/tr>\n
COSTAS MIGU\u00c9LEZ, JORGE<\/td>\nComposition, Instrumentation and Orchestration, PFG<\/td>\n<\/tr>\n
DE PAZ S\u00c1NCHEZ, NACHO<\/a><\/td>\nComposition Workshop. Head of the \u201cAcademy for New Music (CSMA)\u201d, PFG<\/td>\n<\/tr>\n
FERRANDO, IGNACIO<\/a><\/td>\nFundamentals of electroacoustics<\/td>\n<\/tr>\n
MART\u00cdNEZ HERRANZ, ANDR\u00c9S JES\u00daS<\/td>\nRecording techniques<\/td>\n<\/tr>\n
MART\u00cdNEZ LOZANO, LLANOS<\/a><\/td>\nVocal technique, History of the art, Voice, education and practice, PFG<\/td>\n<\/tr>\n
OCA\u00d1A ARROYO, CARLOS<\/a><\/td>\nConducting, Correpetition-Concertation, Analysis and History of the Symphonic Repertoire<\/td>\n<\/tr>\n
PE\u00d1A P\u00c9REZ, JOS\u00c9 LUIS<\/td>\nHarmony, Harmonic-counterpoint practice<\/td>\n<\/tr>\n
POPOVA, NIKOLETA<\/a><\/td>\nOrchestra Conducting, EAO, Conducting Practice<\/td>\n<\/tr>\n
QUINTAS MELERO, BORJA<\/a><\/td>\nOrchestra Conducting, EAO, Conducting Practice<\/td>\n<\/tr>\n
QUISLANT GARC\u00cdA, JAVIER<\/a><\/td>\nComposition, Composition Techniques, PFG<\/td>\n<\/tr>\n
S\u00c1NCHEZ SANTIANES, Y\u00d3NATAN<\/td>\nAnalysis of Contemporary Music, Harmonic and Contrapuntal Practice, PFG<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

.<\/span><\/p>\n[\/vc_column_text][\/vc_column][vc_column width=”1\/3″]

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\n\t\tProfesorado composici\u00f3n y direcci\u00f3n <\/span><\/a>\t<\/div>\n\t\t\n

\n \n JAVIER CASTRO <\/a>\n<\/h4>\t\t\t\t \t<\/div>\n<\/div>
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\n \n NIKOLETA POPOVA <\/a>\n<\/h4>\t\t\t\t \t<\/div>\n<\/div>
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\n \n CARLOS OCA\u00d1A ARROYO <\/a>\n<\/h4>\t\t\t\t \t<\/div>\n<\/div>
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\n \n Mar\u00eda de los Llanos Mart\u00ednez <\/a>\n<\/h4>\t\t\t\t \t<\/div>\n<\/div><\/div><\/div>[\/vc_column][\/vc_row][vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern”][vc_column][vc_separator type=”transparent”][vc_separator type=”transparent”][vc_separator type=”transparent”][\/vc_column][\/vc_row][vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern”][vc_column][vc_separator type=”transparent”][vc_separator type=”transparent”][vc_separator type=”transparent”][vc_separator type=”transparent”][vc_separator type=”transparent”][vc_separator type=”transparent”][vc_separator type=”transparent”][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"

[vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern”][vc_column][vc_separator type=”transparent”][\/vc_column][\/vc_row][vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern”][vc_column width=”2\/3″][vc_column_text] HEAD OF DEPARTMENT   DE PAZ S\u00c1NCHEZ, NACHO…<\/p>\n","protected":false},"author":3,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-26192","page","type-page","status-publish","hentry"],"acf":[],"yoast_head":"\nComposition And Conducting - CSMA<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/csma.es\/en\/composition-and-conducting\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Composition And Conducting - 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