{"id":21004,"date":"2018-04-29T10:50:09","date_gmt":"2018-04-29T08:50:09","guid":{"rendered":"https:\/\/csma.es\/revista-de-investigacion-tazzet\/"},"modified":"2024-05-09T10:42:35","modified_gmt":"2024-05-09T08:42:35","slug":"tazzet-magazine-2023-2024","status":"publish","type":"page","link":"https:\/\/csma.es\/en\/tazzet-magazine-2023-2024\/","title":{"rendered":"“Tazzet” Magazine"},"content":{"rendered":"[vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern”][vc_column width=”1\/2″][vc_separator type=”transparent”][vc_single_image image=”16038″ img_size=”full” qode_css_animation=””][vc_separator type=”transparent”][vc_separator type=”transparent”][vc_separator type=”transparent”][vc_separator type=”transparent”][\/vc_column][vc_column width=”1\/2″][vc_separator type=”transparent”][vc_column_text]\n

TAZZET<\/h2>\n

Revista de investigaci\u00f3n musical<\/h2>\n

.<\/span><\/p>\n

Inicio: <\/strong>2018<\/p>\n

Periodicidad:<\/strong> Anual<\/p>\n

Pa\u00eds:<\/strong> Espa\u00f1a<\/p>\n

Idioma:<\/strong> Espa\u00f1ol<\/p>\n

Editor:<\/strong> Conservatorio Superior de M\u00fasica de Arag\u00f3n[\/vc_column_text][vc_separator type=”transparent”][vc_separator type=”transparent”][\/vc_column][\/vc_row][vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern”][vc_column][vc_separator type=”transparent”][vc_separator type=”transparent”][vc_separator type=”transparent”][vc_column_text]\n

Sumario A\u00f1o 2019, N\u00famero 1 (descargar portada)<\/a><\/h3>\n

.<\/span><\/p>\n

Estudios<\/h3>\n

.<\/span><\/p>\n

“An\u00e1lisis de la revista \u00abMUSICA: Revista\u00a0Trimestral de los Conservatorio Espa\u00f1oles\u00bb”. Carmen Esteban Vicente<\/a><\/p>\n

DESCARGAR<\/a><\/p>\n

“Descomposici\u00f3n espectral de frecuencias”. Francisco Antonio Garc\u00eda Garc\u00eda<\/a><\/p>\n

DESCARGAR<\/a><\/p>\n

.<\/span><\/p>\n

“El acorde\u00f3n mesot\u00f3nico”. Ander Teller\u00eda L\u00e1zaro<\/a><\/p>\n

DESCARGAR<\/a><\/p>\n

.<\/span><\/p>\n

“El organista eclesi\u00e1stico espa\u00f1ol en la segunda mitad del siglo XX. Un estudio de caso: Joaqu\u00edn Broto Salamero. Hacia una biograf\u00eda cr\u00edtica”. Juan San Mart\u00edn Guerrero<\/a><\/p>\n

DESCARGAR<\/a><\/p>\n

.<\/span><\/p>\n

\u201cEstudio de la evoluci\u00f3n de un g\u00e9nero h\u00edbrido: el concierto para teclado en el siglo XVIII\u201d. Ana Mar\u00eda Ant\u00fanez Fern\u00e1ndez<\/a><\/p>\n

DESCARGAR<\/a><\/p>\n

.<\/span><\/p>\n

“La ense\u00f1anza de Bajo Continuo en los estudios superiores de m\u00fasica\u00a0de Espa\u00f1a”. Saskia Roures Navarro<\/a><\/p>\n

DESCARGAR<\/a><\/p>\n

.<\/span><\/p>\n

“Las partituras de la Fantas\u00eda B\u00e9tica”. Aniana Jaime Latre<\/a><\/p>\n

DESCARGAR<\/a><\/p>\n

.<\/span><\/p>\n

“Pedagog\u00eda instrumental: Aspectos did\u00e1cticos de la clase de instrumento”. Carlos Javier Estopi\u00f1\u00e1n Dom\u00ednguez<\/a><\/p>\n

DESCARGAR<\/a><\/p>\n

.<\/span><\/p>\n

“Propuesta de un modelo did\u00e1ctico para la ense\u00f1anza de estrategias de pr\u00e1ctica instrumental: el modelo Iceberg”. Dra. Silvia Tripiana Mu\u00f1oz<\/a><\/p>\n

DESCARGAR<\/a><\/p>\n

.<\/p>\n

NOTA: EL CONTENIDO DE LOS ART\u00cdCULOS ES RESPONSABILIDAD COMPLETA DE LOS AUTORES<\/strong><\/p>\n

 <\/p>\n

.<\/span>[\/vc_column_text][vc_separator type=”transparent”][vc_separator type=”transparent”][vc_separator type=”transparent”][vc_separator type=”transparent”][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"

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