{"id":20564,"date":"2021-04-07T17:55:53","date_gmt":"2021-04-07T15:55:53","guid":{"rendered":"https:\/\/csma.es\/?page_id=20564"},"modified":"2024-06-11T09:30:58","modified_gmt":"2024-06-11T07:30:58","slug":"vocals-and-accordion","status":"publish","type":"page","link":"https:\/\/csma.es\/en\/vocals-and-accordion\/","title":{"rendered":"Vocals And Accordion"},"content":{"rendered":"[vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern”][vc_column][vc_separator type=”transparent”][\/vc_column][\/vc_row][vc_row css_animation=”” row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” angled_section=”no” text_align=”left” background_image_as_pattern=”without_pattern”][vc_column width=”2\/3″][vc_column_text]\n

HEAD OF DEPARTMENT<\/h3>\n

 <\/p>\n\n\n\n
ESCART\u00cdN ARA, ENRIQUE<\/td>\nContact: dpto.cantoyacordeon@csmaragon.es<\/a><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

 <\/p>\n

 <\/p>\n

STAFF<\/h3>\n

 <\/p>\n\n\n\n\n\n\n\n\n\n\n
ESCARTIN ARA, ENRIQUE<\/a><\/td>\nRepertoire with piano, Singing accompaniment, Correpetition-concertation<\/td>\n<\/tr>\n
ESTOPI\u00d1\u00c1N DOM\u00cdNGUEZ, CARLOS<\/td>\nEnglish phonetics and French phonetics<\/td>\n<\/tr>\n
GIMENO L\u00d3PEZ, BEATRIZ<\/td>\nSinging, Vocal Repertoire, Chamber Music, History and Technique of Singing<\/td>\n<\/tr>\n
LATORRE TORRES, MIREIA<\/td>\nEnglish phonetics, Italian phonetics applied to singing<\/td>\n<\/tr>\n
MAGRI\u00d1\u00c1 MART\u00cdNEZ, INGRID<\/td>\nMovement and Dance<\/td>\n<\/tr>\n
MART\u00cdNEZ DE RADA, MAR\u00cdA<\/td>\nScene and Interpretation<\/td>\n<\/tr>\n
POLO SAVICENTE, C\u00c9SAR<\/td>\nSinging, Vocal Repertoire, Anatomy of the Phonatory Apparatus, PFG<\/td>\n<\/tr>\n
TELLER\u00cdA L\u00c1ZARO, ANDER<\/a><\/td>\nAccordion, Tango Orchestra<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

.<\/span><\/p>\n[\/vc_column_text][\/vc_column][vc_column width=”1\/3″]

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